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Gabriel Beristain, ASC, BSC Talks Shooting a Period Piece

Gabriel Beristain, ASC, BSC recently set out to shoot a piece that brought back the classic looks of the 1940s for a modern audience.

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Shooting "Focus" in New Orleans, New York and Buenos Aires

Focus takes movies goers on location to some extraordinary and romantic cities around the world including New Orleans, New York and Buenos Aires.

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Berlin Shines Through as Prime Filming Location After Four Oscar Wins for "The Grand Budapest Hotel"

The Oscars were not only a great night for The Grand Budapest Hotel, which swept up four awards with its colorful whimsy, but also for Berlin’s Studio Babelsberg, where the film was shot.

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Oscar Winners on Accepting the Ultimate Award

The Oscars this year were just the right blend of Hollywood sparkle and genuine, heartfelt speeches.

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Director Damien Chazelle Talks Early Rejection

Director Damien Chazelle of this year’s much acclaimed and Oscar-nominated film Whiplash hasn’t always had it easy getting funding for his films.

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Oscar Nominated Editors on the Art of Their Craft

The role of great editors is to go behind the scenes and tell the story in the most seamless way possible, deciding what the audience needs to look at and when moments need to breathe.

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Memorial Campaign Honors Sarah Jones

IATSE Local 600 (International Cinematographers Guild) and Local 479 (Studio Mechanics) are joining forces with several grassroots film/tv production social media sites for a memorial campaign honoring Sarah Jones, camera assistant.

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Lorne Michaels Talks SNL

Saturday Night Live has become one of the most iconic shows of all time to enter homes each week and provide laughter.

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Motion Picture Sound Editors Took Center Stage

The Motion Picture Sound Editors recently presented the 62nd MPSE Golden Reel Awards at a black-tie ceremony at the Bonaventure Hotel in Los Angeles.

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Editor Barney Pilling Talks Working with Wes Anderson

Behind the magic on every twist and turn through the colorful walls of The Grand Budapest Hotel, Editor Barney Pilling was behind the cut.

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