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The Colorist

Filmmakers are quick to discuss cameras and lenses, but one of the most crucial elements to consider when shooting is the color in the frame and planning for what kind of look to create with a colorist in post-production.

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Mission: Impossible 5 Shoots in Morocco

The Mission: Impossible series is known and loved for taking Tom Cruise on missions around the world to perform outrageous stunts against gorgeous new backdrops.

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Director David MacKenzie Talks "Starred Up"

Director David MacKenzie’s frighteningly realistic Starred Up has created a new take on the prison drama.

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California Film Incentives on the Rise

California’s incentives may get a lot more filmmaker friendly.

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Through the Eye of the Cameraman

With over 30 years experience, Cinematographer Mike May (“X-Files,” “Twilight Zone,” Jeepers Creepers and The Presidio) has held every position from grip and focus puller, to camera operator and cinematographer.

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A Conversation with SNL Editor Adam Epstein

Working on the edit side of SNL brings new meaning to ‘tight deadline’.

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Screenwriting with Justin Lader

Justin Lader’s scriptment for the genre-bending The One I Love follows a couple falling apart amidst, without giving too much away, the discovery of a very eccentric guesthouse.

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Chinese Smartphone Rivals a 5D Mark III

Never has a smartphone camera been quite gallant enough to take on the 5D Mark III like it’s nobody’s business.

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Mike Cahill on Directing "I Origins"

In his 2011 breakthrough feature Another Earth, director Mike Cahill created stunning visuals while exploring sci-fi through intricate character development.

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Blackmagic’s URSA Shines in Test Footage

Blackmagic’s 4K URSA camera peaked the interest of filmmakers at 2014’s NAB, and some of the first test footage is nothing short of gorgeous.

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