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Terry Stacey, ASC on His Career Start

Cinematographer Terry Stacey, ASC has stayed immensely busy over the past few years.

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Director Robert Zemeckis Talks Spielberg and When to Shoot in 3D

Robert Zemeckis is one of the most renowned directors of recent years, moving elegantly from genre to genre to direct everything from the Back to the Future movies to Flight.

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Director Antoine Fuqua on Building an Effective Fight Scene

If the fight scenes in Southpaw seem incredibly realistic, that’s because they come from a director with years of real life experience in the ring.

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Director Patrick Brice and Producer Mark Duplass Talk the Horror of “Creep”

Mark Duplass has versed himself in many different genres with his standout independent filmmaking, shining through wearing multiple hats on set.

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Director Ramin Bahrani on His Upcoming “99 Homes”

Director Ramin Bahrani has received an enormous amount of accolades for working with non-actors on films like Man Push Cart and Chop Shop.

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Kodak Names President of Motion Picture and Entertainment

Kodak announced today the appointment of Steve Bellamy as its new president of Motion Picture and Entertainment.

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ASC Re-elects Officers

The Board of Governors of the American Society of Cinematographers (ASC) has re-elected its slate of officers for another term.

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California On Location Awards to Honor Location Professionals

The California On Location Awards (COLA) that honors the vital contributions of location professionals in film and television production is heading back to the Beverly Hilton hotel for its milestone 21st annual awards ceremony.

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AFCI Announces 2016 Board of Directors

 The Association of Film Commissioners Internationa(AFCI) announced its Board of Directors for 2016 at the 39th Cineposium film summit in Barcelona, Spain on Saturday, September 26.

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Emmy Winning Cinematographers Offer Insight to Their Process

The cinematographers the past year’s television slate have taken bold risks to create elevated standards in their craft, always testing out new techniques in the name of the perfect moving images.

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