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Production

Extreme Audio

pro_audio_eadliestcatch_2Working as a production sound mixer in Los Angeles, where it’s consistently sunny, it’s possible to take the weather for granted when recording audio in the field. But what if the job is recording audio for a documentary in the Arctic, like for Discovery Channel’s “Deadliest Catch,” where there’s the incessant pounding of salt water? Or how about recording a reality show during the rainy season in Washington State? Getting clean audio can be difficult in good weather, but harsh conditions can present unique challenges to production sound mixers in the field. Luckily, there are some products that can offer protection for productions in need.
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NBCUniversal Names New Senior Vice President of Marketing...

Jeanne Cordova has been named Senior Vice President of Marketing, PR and Special Events for NBCUniversal Operations and Technical Services.

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Lighting Fundamentals Remain While Technology Continues to Change

ligthinghd_allan1Cinematographer Allan Westbrook’s first HD shoot entailed using a Sony HDC-500 camera in collaboration with HD pioneer DP Randall Dark. "The HDC-500 was faster than the HD tube cameras before it, but its dynamic range was fairly narrow," says Westbrook (pictured left). "We certainly needed more light than we do with a typical camera today. Also, it was so heavy that simply moving it around was a challenge. We definitely used more lights than we would need for the same scenes with many of today’s HD cameras.”

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Documentary Cinematography

 

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Believe it or not, it’s been barely 15 years since high definition made its first appearance in North America, yet most of us — even production professionals — have had little hands-on experience with HD until the past five-to-seven years, the most intense stage in its evolution. Cinematographer Randall Dark caught the high-def bug 15 years ago after watching an HD demo in his native Toronto, and he hasn’t looked back since launching his high-def production company HD Vision Studios in the early ’90s. “The goal of all documentaries is to capture reality without manipulation, and HD captured it especially realistically,” says Dark.

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Canon U.S.A. Opens Hollywood Support Center

canon2As Canon DSLR cameras become more popular in Hollywood’s entertainment industry, Canon U.S.A. has just announced the opening of a new support center to better serve its film and television production clients. The Canon Hollywood Professional Technology and Support Center, located at the historic Sunset Gower Studio lot on 6060 Sunset Boulevard in Los Angeles, will provide a local site to foster support, research, service and training for camera owners/shooters and others interested in using Canon cameras.

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