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Production

Desert Sounds

AudioColumnRecording audio while on location when you can’t really control the environment is hard enough –– with all the occasional breezes, traffic, pedestrians and other various noises that come with the territory –– but working in bad weather can wreak havoc for filmmakers and their crew, as an environment that just won’t cooperate can make a difficult shoot more stressful.

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Panavision Enters the 3D Arena

Panavision, designer, manufacture and rental of camera systems, is in the 3D business.  Three major features recently completed production using cameras, lenses and 3D rigs provided by Panavision. Those features include, A Very Harold & Kumar Christmas, shot by Michael Barrett, The Darkest Hour, photographed by Scott Kevan, and Bait, shot by Ross Emery.  Pirates of the Caribbean: On Stranger Tides, lensed by Dariusz Wolski, ASC, was shot using camera and lens packages provided by Panavision, paired with rigs provided by Pace on the 1st unit and Element Technica rigs for the 2nd unit in London. Panavision’s current inventory of 3D camera rigs includes the Quasar, Pulsar and Neutron, manufactured by Element Technica.

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Litepanels Illuminate Japan Water Consciousness Documentary for Morgan

Don_Morgan_Using_LitepanelsEmmy-winning Cinematographer Donald A. Morgan, ASC chose Litepanels, a Vitec Group brand, as the lighting source for his documentary on the power of healing and discovering the power within. The project, shot during an international HADO convention in Japan, centers around Dr. Masaru Emoto, his teaching of HADO, and his incredible research with water crystals that demonstrate water consciousness. Because Morgan and producer Lindsay Noel Kemp would be moving quickly, he knew his equipment had to be fast and flexible. Morgan needed to be able to shoot within 10 minutes for interviews, so he used the Sony EX1 camera and Litepanels’ 1x1s and MicroPro.

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On the Road with Turnkey HD

LightCol_SteveFongSteve Fong is the creative director for Citizen Group, a San Francisco production house with a number of high profile clients. In 2009, one of these clients, the Center for Creative Land Recycling, commissioned a documentary about the legendary Route 66 highway that, before the onset of the Interstate freeway system, was the route people used to drive from Chicago to Los Angeles.

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Racing with the Genesis

CameraCol_Dean-Semler_2Based on a true story, the Disney film Secretariat tells the tale of the legendary 1973 Triple Crown winner and stars Diane Lane as stable owner Penny Chenery and John Malkovich as horse trainer Lucien Laurin. Shot by veteran Aussie Cinematographer Dean Semler, ACS, ASC, whose extensive credits include two Mad Max sequels, Dances with Wolves (which won him an Oscar for Best Cinematography), Apocalypto, 2012 and Date Night, Secretariat reunited the DP with Director Randall Wallace, for whom he shot We Were Soldiers. Semler talks about the project and his love of HD, and reveals just how he was able to get such amazing, in-your-face race footage.

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