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When it comes to reality TV production, what we don’t know won’t hurt us. So say the networks behind the myriad of reality television shows populating our airwaves for the last decade. But P3 has recently taken a look behind the scenes of reality TV, and what we found is pretty interesting. Directors and cinematographers at Bravo TV now reveal the technology, gear, crew power and techniques they need to bring today’s top reality shows to life.Read more...
When Miller-Bell Media Productions, LLC (formally GIG 2 Me Music & Video) was established in 1998, co-owner Gary Bell selected JVC camcorders for his business, a leading manufacturer and distributor of broadcast and professional video and audio equipment.
Bell purchased two JVC GY-DV500 professional DV camcorders, which were eventually replaced by a JVC GY-DV5000. Miller-Bell produces a variety of television commercials and infomercials, plus corporate and government video projects.
This past February, Miller-Bell Media Productions decided to make the switch from tape to completely HD production.
Bell chose to stick with JVC and purchased a GY-HM710 ProHD camera.
At the recent NAB Show 2012, 4K was unquestionably the hottest new thing, at least in terms of field production and acquisition in particular. Several camera makers, such as Canon, JVC, RED Digital and Sony, introduced new 4K cameras and refined versions of previously introduced 4K cameras. For the first time, a few of these 4K cameras were priced under $10K, which is far below the previous benchmarks. These cameras include the RED SCARLET X, Sony FS700 and JVC GY-HMQ10. And while the RED and Sony 4K cameras are priced at nearly $10K, JVC’s is barely half that price. The key underlying question is whether bringing the cost of 4K acquisition within the price range of a much larger cross-section of the production community will trigger a major shift to 4K acquisition across the board, despite the fact that there’s currently a very limited demand for 4K content, even for the cinema.Read more...