Production Support / Accessories
Production - Support & Accessories
Written by Carl Mrozek
Just a few years ago, 3D rigs, monitors and other production gear were few and far between and hence quite expensive to rent, let alone to buy. Moreover, much of what existed, especially in terms of 3D camera rigs, was large, heavy and fairly immobile. Today, the number and size range of rigs and integrated cameras are growing steadily as is the toolset of peripherals for improving and simplifying 3D production.
Production - Support & Accessories
Written by Staff
Schneider Optics announces that Emmy-winning cinematographer Donald A. Morgan ASC has chosen Schneider’s Classic Soft filters for the new TVLand series, Retired at 35, starring George Segal and Jessica Walter.
Read more: Don Morgan ASC Chooses Schneider for TVLand Series Retired at 35
Production - Support & Accessories
Written by Carl Mrozek
Without a doubt, DSLR cameras have had a revolutionary impact on production technology and technique in a very short time. This is especially true for those involved in indie features, TV dramas, music videos and commercials. While the RED camera and its promised kid sister, the SCARLET, launched this bold new genre just a few years ago, DSLRs have since taken it to a new level.
Production - Support & Accessories
Written by Staff
Redrock Micro today announced the new microRRS clamp for adapting the Really Right Stuff line of quick release clamps and plates for use with Redrock's HDSLR camera rigs.
The explosion of video-capable DSLR cameras (HDSLR cameras) - including the Canon 5D MKII - has resulted in the immense popularity of support rigs from Redrock Micro. Still photographers looking to embrace video have long desired to adapt and use Really Right Stuff, a mainstay in traditional still photography world. Redrock Micro, working in partnership with Really Right Stuff, now offers the microRRS clamp for adapting the Really Right Stuff quick release to Redrock's award-winning cinema rigs and accessories.
Redrock customers now have a choice of camera mounts for their Redrock rigs: the Redrock DSLR baseplate or the microRRS adapter clamp with Really Right Stuff. The Redrock DSLR baseplate continues to be the ideal solution for most video needs. The microRRS with Really Right stuff clamps are a great choice for still photographers who want to continue using their Really Right Stuff quick release system, or for high-end cinematographers who demand the ultimate stability in a camera mounting system.
Key advantages of the microRRS clamp include:
"We're excited about collaborating with Redrock Micro to build superior video support solutions," said Joe Johnson, President of Really Right Stuff. "With their experience in video and Really Right Stuff's patented quick release technology, Redrock Micro and Really Right Stuff are a great team."
"It's great to see Redrock integrate Really Right Stuff as an option," said Vincent Laforet, award-winning director, cinematographer, and photographer. "I have been using both products together for close to a year now - on every single camera mount, tripod and slide mount - even technocranes. Redrock and Really Right Stuff are at the heart of any configuration that I use."
"Really Right Stuff is extremely well regarded and hugely popular in the photography world today," said James Hurd, Chief Revolutionary for Redrock Micro. "Our new microRRS clamp really benefits customers by bringing together the best of both worlds for video DSLR rigs and accessories."
Pricing and Availability
The microRRS clamp is available immediately and is priced at $229. The microRRS can be purchased direct from Redrock Micro at store.redrockmicro.com or through one of Redrock Micro's worldwide authorized resellers. Really Right Stuff quick release clamps and plates are available exclusively from Really Right Stuff direct at www.reallyrightstuff.com.
Production - Support & Accessories
Written by Staff
Cache-A Corporation, a leading supplier of network-attached archive appliances for the digital film, broadcast and professional video industries, has announced that Color Mill, in Salt Lake City, UT, utilized its Pro-Cache archive appliance to archive Danny Boyle’s latest feature film, 127 Hours.
Production - Support & Accessories
Written by Sally Kemper
Cascio Calls on OConnor to Support Filmworks LA Event
Cinematographer Paolo Cascio chose to equip his Sony EX3 with OConnor's (a Vitec Group brand) O-Grips and CFF-1 Follow Focus for his work on Filmworks LA’s press conference, which kicked off a multi-pronged campaign surrounding Los Angeles production and support capabilities.
Production - Support & Accessories
Written by Carl Mrozek
In keeping with Moore’s law, HD cameras have been getting smaller, better and cheaper at an accelerating rate. Nowhere has this been more apparent than with the blast of interest in DSLR still cameras for HD video acquisition. This sudden change on the camera scene has challenged designers and manufacturers of video support equipment to retool quickly, and it has catapulted some designers and producers of this gear to center stage, giving them a pivotal role in many new acquisition purchases.
Production - Support & Accessories
Written by Sally Kemper
Tiffen Releases New Steadicam Zephyr
The Tiffen Company, manufacturer of photographic accessories used in almost every major movie and TV production around the world, announced the release of the new Steadicam Zephyr, a versatile and essential tool for camera stabilization needs.
Production - Support & Accessories
Written by Sally Kemper
Steadicam’s New Scout for Video and Film Production
The Tiffen Company, the Long Island-based manufacturer and distributor of award-winning accessories for the still imaging, motion picture and broadcast markets, recently introduced the new Steadicam Scout.
Read more: Steadicam’s New Scout for Video and Film Production
Production - Support & Accessories
Written by Sally Kemper
Canon HJ15 Lens Conquers Pikes Peak
Canon’s HJ15ex8.5B lens, the world’s first portable HD zoom lens with built-in Optical Image stabilization, was recently used to shoot the 2010 Pikes Peak International Hill Climb.
Production - Support & Accessories
Written by Debra Kaufman
In recent years, the proliferation of new digital cameras has focused attention on resolution, workflow and image quality. While the RED, Vision Research Phantom, ARRI ALEXA and Canon 7D Mark II cameras all have their fans and uses, the advent of 3D stereoscopic moviemaking has upped the ante as filmmakers struggle to find the perfect cameras for the left/right-eye pair. Camera accessories — everything from lenses to 3D rigs — are the crucial gear components needed to support chosen cameras, and they can make the difference between a problem-plagued production and smooth sailing.
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