button-digitaledition-new

SubscriptionBanner 2

 

Postproduction

The Industry Transitions to Ultra High-Def

272003253The hot technological buzz phrase for today’s theatrical distribution and consumer space is “4K.” While the current digital cinema standard is an image resolution of 2048 pixels wide by 1080 pixels high (with width measurement rounded out to 2K), digital capture technology and projection technology is now at resolutions of 4096×2160 or higher — and 4K actually quadruples the number of pixels for richer screen resolution. On the consumer side, the HDTV standard delivers the same vertical resolution (1080) but isn’t quite as wide, with a resolution of 1920 pixels instead of 2048. Earlier this year, consumers were introduced to the new Ultra High Definition (UHD) format that delivers a resolution of 3840x2160. And even though that horizontal resolution is well shy of the 4,000 pixel mark, it’s still promoted as 4K.

Read more...

Editing in the 21st Century

EditingChris Ross Leong is known for his work as an editor on reality TV shows like “Extreme Makeover: Home Edition” and “Celebrity Rehab with Dr. Drew” and as the current staff editor on the Fox syndicated series “Dish Nation.” His creative career began in the U.K., where he worked as a fashion photographer in 1975 before moving into film and television production, and for the past three decades he has been editing TV shows and independent features.

Read more...

Apple’s Mac Pro Update Supports 4K Digital Video

 

MacPro4KToday’s higher resolution cameras and postproduction standards have led Apple to up the ante on the latest model of its Mac Pro desktop system. Now supporting 4K digital video, the newest Mac Pro features a very slick-looking chrome cylindrical design that, like other desktop systems, requires the user to attach an external keyboard, rodent and display. The new system offers Thunderbolt 2 and dual AMD FirePro graphics processing units with up to six gigabytes of dedicated VRAM, which is enough horsepower to drive three 4K displays simultaneously — an ideal scenario for pro video workstations, visual effects work in cinema, and film editing. 

Read more...

New Visual Effects/Post Hub Debuts in Buffalo

Buffalo SMNew York Governor Andrew M. Cuomo has announced that a new postproduction, visual effects and animation company will be established at the landmark Tri-Main Center in Buffalo. According to a statement by the New York State Governor’s Office for Motion Picture and Television Development, the facility is expected to create 150 new visual effects and other post jobs within five years, and will pave the way for a new postproduction and visual effects industry in Western New York. 

Read more...

Staying Ahead of the Curve with Digital Workflows

CineGear SMToday’s digital technology and 4K workflows are creating opportunities for directors, cinematographers and editors to be more imaginative while embracing the challenge of learning new techniques. Established filmmakers know the advantages of using film stock, and they’ve developed great methods for this light-sensitive emulsion over the decades. With the wave of digital content still in its infancy, industry experts are continually meeting to discuss the future of film and TV production.

Read more...
Page 2 of 6
Advertisement