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Editing

The Colorist

Filmmakers are quick to discuss cameras and lenses, but one of the most crucial elements to consider when shooting is the color in the frame and planning for what kind of look to create with a colorist in post-production.

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A Conversation with SNL Editor Adam Epstein

Working on the edit side of SNL brings new meaning to ‘tight deadline’.

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Adobe Premiere Pro Sets the Standard

Adobe is taking over the world of filmmaking. The company’s Premiere Pro video editing software is becoming the standard in postproduction for studio films, independent cinema, broadcast TV and new media.

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Editing "Jersey Boys:" A Conversation with Joel Cox

Editor Joel Cox (Prisoners, Trouble with the Curve) recently revealed to ICG Magazine a behind the scenes glimpse into his editing process and longtime collaboration with Director Clint Eastwood.

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Hollywood Post Alliance’s 2014 Engineering Excellence Award Call for Entries

The Hollywood Post Alliance is now accepting entries for their 2014 Engineering Excellence Award, which is considered by many to be one of the most important technology honors in the post production industry.

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